Big Russ and Me: Father and Son: Lessons of Life
by Tim Russert
from Miramax
Veteran newsman and Meet the Press moderator Tim Russert is known for his direct and unpretentious style and in this charming memoir he explains why. Russert's father is profiled as a plainspoken World War II veteran who worked two blue-collar jobs while raising four kids in South Buffalo but the elder Russert's lessons on how to live an honest, disciplined, and ethical life are shown to be universal. Big Russ and Me, a sort of Greatest Generation meets Tuesdays with Morrie, could easily have become a sentimental pile of mush with a son wistfully recalling the wisdom of his beloved dad. But both Russerts are far too down-to-earth to let that happen and the emotional content of the book is made more direct, accessible, and palatable because of it. The relationship between father and son, contrary to what one would think of as essential to a riveting memoir, seems completely healthy and positive as Tim, the academically gifted kid and later the esteemed TV star and political operative relies on his old man, a career sanitation worker and newspaper truck driver, for advice. Big Russ and Me also traces Russert's life from working-class kid to one of broadcast journalism's top interviewers by introducing various influential figures who guided him along the way, including Jesuit teachers, nuns, his dad's drinking buddies, and, most notably, the late New York Senator Daniel Patrick Moynihan, whom Russert helped get elected in 1976. Plenty of entertaining anecdotes are served up along the way from schoolyard pranks to an attempt to book Pope John Paul II on the Today Show. Though not likely to revolutionize modern thought, Big Russ and Me will provide fathers and sons a chance to reflect on lessons learned between generations. --Charlie Williams
Veteran newsman and Meet the Press moderator Tim Russert is known for his direct and unpretentious style and in this charming memoir he explains why. Russert's father is profiled as a plainspoken World War II veteran who worked two blue-collar jobs while raising four kids in South Buffalo but the elder Russert's lessons on how to live an honest, disciplined, and ethical life are shown to be universal. Big Russ and Me, a sort of Greatest Generation meets Tuesdays with Morrie, could easily have become a sentimental pile of mush with a son wistfully recalling the wisdom of his beloved dad. But both Russerts are far too down-to-earth to let that happen and the emotional content of the book is made more direct, accessible, and palatable because of it. The relationship between father and son, contrary to what one would think of as essential to a riveting memoir, seems completely healthy and positive as Tim, the academically gifted kid and later the esteemed TV star and political operative relies on his old man, a career sanitation worker and newspaper truck driver, for advice. Big Russ and Me also traces Russert's life from working-class kid to one of broadcast journalism's top interviewers by introducing various influential figures who guided him along the way, including Jesuit teachers, nuns, his dad's drinking buddies, and, most notably, the late New York Senator Daniel Patrick Moynihan, whom Russert helped get elected in 1976. Plenty of entertaining anecdotes are served up along the way from schoolyard pranks to an attempt to book Pope John Paul II on the Today Show. Though not likely to revolutionize modern thought, Big Russ and Me will provide fathers and sons a chance to reflect on lessons learned between generations. --Charlie Williams
Losing It: And Gaining My Life Back One Pound at a Time
by Valerie Bertinelli
from Free Press
A Note to Amazon Readers (and a Q&A) from Valerie Bertinelli
Dear Amazon Customer, Glad to see you here and hopefully purchasing my book. I've heard if you buy multiple copies it's a better experience--a better one for me! But seriously, I'm usually on Amazon, too. I've been buying books through the site for ten years. I enjoy reading the reviews. I get a good sense of the book, and I like to hear what other people have to say. Like in a traditional bookstore, I can look at the cover, peek inside the book, and check out the bestseller lists. Valerie- Do you have a favorite character from a book? I love Scout and Atticus from To Kill A Mockingbird.
- If you can be any character from a book, who would you like to be? I would like to be Scarlett and I would let Rhett know how much I love him.
- How do you decide what next book you want to read? If itÂ’s for my book group, whoever hosts the next gathering picks the book, so itÂ’s picked for me seven out of eight times. But on my own, I read reviews and ask people whose taste I like what theyÂ’re reading.
- WhereÂ’s your favorite place to read? Either lying in bed or on the sofa next to the fireplace.
- What is your favorite genre? I donÂ’t really have one.
Valerie Bertinelli, then: bubbly sitcom star and America's Sweetheart turned tabloid headline and rock star wife. Now: actress, single working mother of teenage rock star, and weight-loss inspiration to millions.
We all knew and loved Valerie Bertinelli years ago when she played girl-next-door cutie Barbara Cooper in the hit TV show One Day at a Time, and then starred in numerous TV movies. From wholesome primetime in America's living rooms, Valerie moved to late nights with the hardest-partying band of the decadent eighties when she became, at twenty, wife to rock guitarist Eddie Van Halen. Losing It is Valerie's frank account of her life backstage and in the spotlight. Here are the ups and downs of teen stardom, of her complicated marriage to a brilliant, tormented musical genius, and of her very public struggle with her weight.
Surprising, uplifting, and empowering, Losing It takes you behind the scenes of Valerie's acting career and marriage, recalling the comforts, friendships, and problems of her television family, her close relationships with her parents and brothers, the stress and worries of being the wife of a rock star, and the joys of motherhood. Like many women, Valerie often remembers the state of her life by the food she ate and the numbers on her scale. So despite her celebrity, Valerie's voice is so down-to-earth, honest, and appealing that you'll feel as if you're talking with a girlfriend over coffee. Funny and candid, Valerie recounts her attempts to maintain a healthy self-image while dealing with social pressures to look and act a certain way, and to overcome career insecurities and relationship problems, all of which will be familiar to the hundreds of thousands of women who struggle every day with these same issues.
From marital turmoil to the joys of a new career, from being named among Penthouse's ten sexiest women in the world to overhearing whispers about her weight gain in the grocery store, this is Valerie's inspiring journey as she finds new love, raises a terrific kid, and motivates other women as a spokesperson for Jenny Craig.
Film Directing: Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)
by Steven Katz
from Michael Wiese Productions
Film Directing Shot by Shot offers a good introduction to the rudiments of film production. Steven D. Katz walks his readers through the various stages of moviemaking, advising them at every turn to visualize the films they wish to produce. Katz believes that one of the chief tasks of filmmaking is to negotiate between our three-dimensional reality and the two-dimensionality of the screen. He covers the number of technical options filmmakers can use to create a satisfying flow of shots, a continuity that will make sense to viewers and aptly tell the film's story. Katz provides in-depth coverage of production design, storyboarding, spatial connections, editing, scene staging, depth of frame, camera angles, point of view, and the various types of stable compositions and moving camera shots.
International best-seller filled with visual techniques for filmmakers and screenwriters.
Directing Actors: Creating Memorable Performances for Film & Television
by Judith Weston
from Michael Wiese Productions
This is essential reading for anyone interested in directing or acting. Judith Weston's brilliance is to recognize that directors, actors, writers, and technicians are involved in a process that is at essence a collaboration. In order for them to have the best shot at creating something true and meaningful, they must share a language and a method of exchange that fosters creative cooperation. Weston rightly sees the director as the central figure in inspiring the energy of a production's harmony. She advises the prospective director on every aspect of a stage or film production, showing how the director can draw the best performances possible from actors.
Demonstrates what constitutes a good performance, what actors want from a director, what directors do wrong and more.
Video Basics
by Herbert Zettl
from Wadsworth Publishing
Herbert Zettl draws on his expertise and field experience to bring you the new edition of VIDEO BASICS, the handiest and most authoritative, current, and technically accurate student guide to video production. Meeting the need for a briefer book, this text distills comprehensive video instruction so that it can be covered in a single semester. The book moves students from video concepts and processes to production tools and techniques, and finally, to the production environment (studio and field, inside and outside) and its effects. A more conceptual framework leads the student from the idea (what to create) to the image (how to create) on video.
The Complete Film Production Handbook, Third Edition (Book & CD-ROM)
by Eve Light Honthaner
from Focal Press
The Complete Film Production Handbook is a comprehensive step-by-step guide covering the essentials of the business, from checklists and sample pre-production and post production schedules to contracts and company policies relating to insurance, talent management, and even customs and immigration details. The book contains all of the many necessary forms including SAG, DGA, and WGA forms, together with standard production forms, deal memos, and release forms which are found both in the book and on companion CD.
This book provides producers and production managers with both a quick reference and refresher and an easy means of training their production staff on the day to day procedures needed to keep their production running smoothly. It provides film students with an in-depth look at what must be considered and accomplished before a single camera can roll and a more comprehensive understanding of the logistics that are required to complete and deliver a finished picture. First time independent filmmakers will find this the most comprehensive and helpful resource guide available.
The third edition includes substantial updates throughout. New chapters examine such topics as:
Basic accounting procedures
Production team members and their responsibilities
Working with vendors--negotiating deals. Saving money
Working with extras
Foreign locations--Work visas, shipping and customs
*Provides comprehensive step-by-step coverage of the production process
*With this book and companion CD-ROM you will find all the essential forms for launching a production office
*Examines basic accounting procedures and the role of the production team
Directing the Documentary, Fourth Edition
by Michael Rabiger
from Focal Press
Tens of thousands of readers have benefited from Michael Rabiger's classic text on documentary filmmaking, now updated to reflect the revolutionary switch to digital video equipment and software. You will learn how to research and focus a documentary film or video idea, develop a crew, direct the crew, maintain control during shooting, and oversee postproduction. Practical work is emphasized, with dozens of exercises and questionnaires to help focus your ideas and give you hands-on practice. The documentary is treated as an important genre in its own right, as well as a useful prelude to directing feature films.
The fourth edition is a significant update. The book's emphasis has always been on concrete steps you can take to become a documentary filmmaker, and there are loads of new projects to help, along with assessment tables that allow you to gauge your progress. In addition, there is new material on location sound, the reality TV trend, top documentaries to see, and more.
*The definitive guide to making a documentary
*A hands-on approach with dozens of exercises
*A fully updated 4th edition of the classic textbook
Set Lighting Technician's Handbook, Third Edition: Film Lighting Equipment, Practice, and Electrical Distribution
by Harry Box
from Focal Press
Comprehensive. Detailed. Practical. Set Lighting Technician's Handbook, Third Edition is a friendly, hands-on manual covering the day-to-day practices, equipment, and tricks of the trade essential to anyone doing motion picture lighting. This handbook offers a wealth of practical technical information, useful techniques, as well as aesthetic discussions.
The Set Lighting Technician's Handbook focuses on what is important when working on-set: trouble-shooting, teamwork, set protocol, and safety. It describes tricks and techniques for operating a vast array of lighting equipment including xenons, camera synchronous strobes, black lights, underwater units, lighting effects units, and many others. Since its first edition, this handy on-set reference continues to be widely adopted as a training and reference manual by union training programs as well as top university film production programs. New in the third edition is an expanded resource section, new illustrations and tables, and coverage of new lighting products and techniques for how to use them.
Expanded resources section: websites, unions, chat groups, bulletin boards, etc, plus new illustrations and tables
More advanced, concise, and comprehensive than ever
Coverage of new lighting products and techniques to help you use them
Improvisation for the Theater 3E: A Handbook of Teaching and Directing Techniques (Drama and Performance Studies)
by Viola Spolin
from Northwestern University Press
A Director Prepares: Seven Essays on Art in Theatre
by Anne Bogart
from Routledge
I am interested in the artistic process. In order to approach the theatre as artists, we should have a good look at our tools and how we make decisions. How do we approach one another in the arena of a rehearsal or on a stage? How do we begin, how do we proceed, and what are our allies?
--From the Introduction
A Director Prepares is a fascinating and thought-provoking examination of the challenges of making theatre. In it, Anne Bogart speaks candidly and with immense wisdom of the courage required to create "art with great presence."
Each chapter tackles one of the seven major areas Bogart has identified as both potential partner and potential obstacle to art-making. They are Violence; Memory; Terror; Eroticism; Stereotype; Embarrassment; and Resistance. Each one can be used to generate extraordinary creative energy, if we know how to use it.
A Director Prepares offers every practitioner an extraordinary insight into the creative process. It is a handbook, Bible and manifesto, all in one. No other book on the art of theatre comes even close to offering this much understanding, experience and inspiration.
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